Hand weaving software for mac

You can download and explore it for free. If you find yourself using it regularly, a donation to Pikes Peak Weavers Guild is appropriate. It's the first download at the top of the page. The latest program offers three types of patterning: Diamond, Shwoosh, and ZigZag. To generate a design you enter the dimensions of the rug, picks per inch, colors used, and the percentage of each color to the whole. It's easy to adjust the designs to a different number of colors—say three or five—just remember to update the percentages afterwards so they still total The design images alone make this program worth looking at, but RugDesign's "Fabric" feature is nothing short of computer magic!

It calculates, in inches, the fabric required for each color, and the dimensions for each of the three possible designs. LaceWeave has been around since The author is, again, David Raup. LaceWeave is free "leanware" with "very few bells and whistles" and David has no plans for further development so please don't ask. Just be grateful and say thank you and do as he suggests, which is to prod the "real weaving programers" to incorporate its features! That hasn't happened thus far and LaceWeave remains the the only program I am aware of that is able to display deflected threads.

Fortunately, WeavePoint has continued to make it available to us. It works with WeavePoint files or with WIF files and is available for download from the WeavePoint website click on "LaceWeave" which appears in small type in the middle and bottom of the main screen.

This eight-shaft huck drawdown is created from a WIF and shows exactly what LaceWeave provides—a visualization of how threads will deflect in the woven cloth. When you run LaceWeave for the first time, you may encounter a problem with a missing file: LaceWeave requires this file, but doesn't include it in the download.

Certainly it was possible to use it as "idiotware" and a lot of people do , doing the thinking for me for filling in squares, doing block substitutions, or importing published drafts.

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However, once you know what a black square means, it is not really important whether you fill it in with a pencil or a computer. Once you know how a block substitution works in a given structure, the computer just speeds it up. Computer drafting really helped me learn a lot more about design, how structures work and relate, and how to match structures to particular designs and vv.

Because it was fast, the time spent doing just one drawdown by hand in pencil, let alone the ink one teacher required could be spent doing 30 or more different versions. I could push a design to the point where I didn't like it, then bring it back to where it worked for me. If you never find the edges of your comfort zone, you have no idea where they are. And if you don't keep testing them, you don't know when they move - or direct them to move. You will have a hard time doing enough drafting by hand to reach this level.

There just aren't enough hours in the day. By working in profile drafts, then looking at block substutions in several structures for the same profile, you will begin to get an idea of which structures will express different design ideas best.

As you work back and forth between the structures you can get a better idea of the nuances of each, their similarities and slight differences, and their strengths and weaknesses. Rather than being project driven, you may decide to be design driven. That is, I do a design, then I pick the structure that best expresses that design to me, then I decide on a yarn and lastly a project that will showcase the design. The drawback is, if you love the process you may end up spending more time designing than weaving. I certainly do about drafts for every one I weave, maybe more.

The compensation is that my designs are gradually finding a personal voice, one that expresses my aesthetic sense, and that I am learning to use weaving in a more intuitive, fluid, and creative way while expanding my limitations. It is an amazing group to participate in, with people doing some very exciting original work.

Another CW study group, CTools, discusses and troubleshoots various computer tools weavers use, including drafting software. They are worth looking at. If you are a member of CW and might be interested in the CAD group, take out the notebooks from the CW library before joining to see what people are doing. CW isn't just for people with 16 shafts and computerized looms. It is for anyone who wants to challenge themself and share the journey. Fiberworks PCW is about to become available for the mac, hooray!

They're going to release a trial version that won't print or save for people to beta-test - when the final version comes out, the price s will be similar to the winxx version. Watch this space:. I have Fiberworks and use it quite a bit. I've never used any other weaving software. There is a lot it can do in terms of drafting. Given that, I came to it knowing Photoshop and its amazing ease of use and have been a little frustrated by how difficult it is to import color information, maintain my own pallettes, copy and paste specific pieces of information, etc.

Also Fiberworks is somewhat buggy. In the beginning, as a former software engineer, I documented the bugs I ran into and sent them off to the Fiberworks folks. They seemed less than thrilled with the information, giving no indication when or if they would be fixed. I've been using Fiberworks PCW for a few years and chose it because a friend highly recommended it. I first tried WinWeave and WeaveDesign both "free" and they were a great way to get acquainted with weaving software.

At that time my only other experience in using a computer to help me design was with Microsoft Excel that I used to design profile drafts. It was for a while but as soon as I got comfortable with using it I upgraded to the Silver because features like block substitution and network drafting sounded really enticing. I have to say I love it. It's true, there have been a few little bugs in the program nothing that I couldn't live with and when I reported them Ingrid was really helpful and as they are fixed there are upgrades that are free for download.

I'm all for using weaving software but I'm so glad that I learned about weave structure a semester of Desiree Koslin's "Weave Construction and Analysis" class in the early 80's before learning to use a weaving program. It's so much more satisfying when you understand it. It is probably not fair to expect the same bells and whistles from small weaving software companies who sell hundreds to at most a few thousand copies a year as you would get from a large company selling millions of copies a year like Adobe. Most of the owners work a second job or are retired from other careers.

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Also, there seems to be an effort to keep the programs and files small so they will run on older or smaller equipment. I understand the differences in scale of a small software company out of a house vs a corporation. What I do expect is to have bugs taken seriously and be addressed. Thank you all for the informative answers to my questions and the continuing discussion. I'm exploring WinWeave to begin with is that like a gateway drug?

It seems a little bit of overkill to put my little waffle weave towel project into the program, but it's handy to learn on. And fun to play with too. Not having to do drawdowns by hand is soooo worth it. While I'm an intermediate weaver who's been at it for awhile, I've settled into just a few drafts a lot of plainweave to use with my handspun yarns.

I'm all about letting the yarn be the star and do the work ;. I have, however, put at least 2 more complicated projects on the New Year's Resolution list, and I'm hoping this new toy will inspire me to do more. I also think it will help me keep more and better information on my projects. Not so critical for plainweave scarves and shawls which I can eyeball, but it's always handy to look up past info. I've never found it buggy - perhaps you are looking for functionality that it does not contain.

It is a weaving program - it does excellent drafting, makes block substitutions, puts in colors, does thick and thin threads, drives computer assisted looms - and was never meant to be Photoshop. The Photoshop features you refer to are those needed for advanced simulation of fabrics. For that you need to go to something like Weavepoint or Pointcarre. While very expensive, I'm finding Pointcarre better than Photoshop for pallettes and simulation and editing pixel graphics for weave designs.

Their system for color schemes, repeats, etc. The Pantone colors included and the A,B, C,D color design feature that allows substitutions for those letters in multiple combinations for each file is not matched anywhere else. I can do a stripe sequence in 5 or 6 variations and view them side by side on the screen. I can scan in my textured yarns and define them so that the simulation shows the textured effect in the fabric. Weavepoint 7 has improved the simulation greatly and allows thread definition.

The fabric view is shaded to look more like real fabric than just a graphed weaving draft. One thing to note about the weaving programs we've talked about here - they've been designed by weavers who understand weaving. They use the programs too! All the programs work fine - they all do one or more things the others don't necessarily do or they do something better. Since others have not run into bugs in Fiberworks, and are assuming that it must be misuse of the product, I would like to write up 3 of the most common bugs I run into and let others decide for themselves.

Editing color values — It is possible to edit the text value of colors in Fiberworks. Deleting the value completely, however, produces an error message that the value is out of range. Typing in the value you want concatenated onto the value already there, so you can then delete the original value without running into an error also gives an out of range error, since the current value exceeds the maximum value.

All this occurs whether autoapply is on or not.


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Using the color sliders — Occasionally when using the color value up and down buttons, the values will change, but the actual color shown and indicated by the slider has not changed. Warp repeat in the center of a design inserts and moves the rest of the design to the left. This is fine and how it is supposed to work. Weft repeat in the center of a design overwrites the rest of the design.

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This is an acknowledged bug, sent in several years ago already, which generated quick response, a workaround, and no indication that it would ever be fixed. I am sorry to say all this. I believe in support for suppliers and producers of such specialized products. I also believe they should, in turn, stand behind their products.

Kind of nit picky - especially with the color issues. The program never purported to be a fabric simulator. Considering the pricing on programs that have more sophisticated color systems, I'd say that you are out of line. Industrial strength software with features that you are attempting to access costs in the thousands not the low hundreds.

It's been over two years since this thread has had anything added to it.

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I am new to the software aspect of weaving. I would like to know what is currently the best and how to learn to use the software. I am playing around with Weave Design right now. I would like it to be numeric like PixeLoom for the threading and treadling.


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Since it doesn't I don't know if I am entering the treadling and tie up correctly or upside down. WIF 'n Proof demo is hard to try on my Nook. I can't get the Weave Maker 8. I know I could use the K-G Chart for knitting like Jason Collingwood does but it doesn't look simple enough to use for me and my drafting experience. I'm used to writing it all out on paper.

WeaveDreamer

Fiberworks now has a Mac version as well as one for Windows. It has great print options, a library for block substitutions and user-defined too. Colors can be added with several shortcuts and with numbers for longer sequences, and any given color may be modified in hue or value while the draft is on the screen with colors changing. I use both Fiberworks and WeavePoint only for Windows.

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Each has strengths. Both are actively supported and still being upgraded. I just downloaded the demo version, because I am reviewing Marg Coe's new book "4,8, Weave DO download the trial version and see what you think. I own Weavemaker because it was designed for MAC's, and I don't have a computer controlled loom at this time.

I DO use my software for nearly every project, so it is really helpful to have something to make the process quick and easy. Not that I don't also use colored pencils and other "hardware" to design in tandem with the computer. I use several programs for various reasons, but for just plain intuitive weave design, Fiberworks is still number one. The learning curve is very short - if you already know how to weave. See Grid 'N WeaveIt details.

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Try out the free demos and order your weaving software soon. Canyon Art. You asked for it! Learn more about iWeaveIt and see the screenshots WeaveIt is a weaving application for creating, designing and displaying Weaving drafts and patterns. Send Mail. Registered Users. Windows WeaveIt Pro. Windows Grid N' WeaveIt. Demos and Videos.